Foundations of Observational Drawing
This 32-week course, "Foundations of Observational Drawing," is designed to provide students with the fundamental skills necessary to accurately observe and render objects from life. Each lesson will build upon the previous one, progressively developing the student’s ability to see and draw with precision and confidence.
Course Objectives:
Develop basic drawing skills using a variety of tools and techniques.
Improve observational skills to accurately depict objects from life.
Understand and apply the elements and principles of design in drawing.
Cultivate personal expression through drawing.
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Week 1: Introduction to Drawing Materials and Tools
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Introduction to drawing materials (pencils, erasers, paper, etc.)
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Basic exercises in mark-making and control
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Art History: Leonardo da Vinci (1452-1519), Italian Renaissance, Italy, "Mona Lisa"
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Week 2: Basic Shapes and Forms
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Understanding and drawing basic geometric shapes
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Transforming shapes into forms through shading
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Exercises in drawing spheres, cubes, cylinders, and cones
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Art History: Michelangelo Buonarroti (1475-1564), Italian Renaissance, Italy, "David"
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Week 3: Line and Contour Drawing
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Exploring different types of lines (continuous, broken, thick, thin)
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Exercises for Line, Contour, and Blind Contour Drawing
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Art History: Albrecht Dürer (1471-1528), Northern Renaissance, Germany, "Melencolia I"
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Week 4: Negative Space and Silhouettes
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Understanding Negative Space and Its Importance
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Drawing Exercises Focused on Negative Space and Silhouette Drawing Practice
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Caravaggio (1571-1610), Baroque, Italy, "Supper at Emmaus 1601"
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Week 5: Proportion and Measuring Techniques
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Introduction to Proportion in Drawing
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Measuring Techniques: Sighting and Comparative Measurements
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Drawing Exercises to Practice Accurate Proportion
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Diego Velázquez (1599-1660), Baroque, Spain, "Las Meninas"
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Week 6: Introduction to Perspective - One-Point Perspective
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Basics of One-Point Perspective
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Exercises in Creating Depth and Space
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Rembrandt van Rijn (1606-1669), Baroque, Netherlands, "The Night Watch"
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Week 7: Introduction to Perspective - Two-Point Perspective
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Basics of Two-Point Perspective
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Exercises in Drawing Objects and Environments Using Two-Point Perspective
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Johannes Vermeer (1632-1675), Baroque, Netherlands, "Girl with a Pearl Earring"
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Week 8: Light and Shadow - Value Studies
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Understanding Light Sources and Shadow
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Value Scales and Shading Techniques
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Exercises in Creating Light and Shadow on Basic Forms
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Karl Bryullov (1799-1852), Romanticism, Russian, "The Last Day of Pompeii"
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Week 9: Composition and Framing
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Basics of Composition: Rule of Thirds and Focal Points
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Creating Dynamic Compositions
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Exercises in Framing and Composing Drawings
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Camille Pissarro (1830-1903), Impressionism, France, "The Boulevard Montmartre at Night"
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Week 10: Still Life Drawing - Introduction
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Setting Up a Still Life
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Exercises in Drawing Simple Still Life Compositions
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Mary Cassatt (1844-1926), Impressionism, America, "Lilacs in a Window"
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Week 11: Still Life Drawing - Light and Shadow
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Adding Light and Shadow to Still Life Drawings
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Techniques for Creating Realistic Textures
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Exercises in Shading and Rendering
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Vincent van Gogh (1853-1890), Post-Impressionism, Netherlands, "Still Life: Vase with Twelve Sunflowers"
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Week 12: Drawing Organic Forms - Animals
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Observing and Drawing Animals
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Understanding Basic Proportion
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Exercises in Capturing the Essence of Animal Forms
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William-Adolphe Bouguereau (1825-1905), Academic/Realism, France, "Young Girl"
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Week 13: Drawing Organic Forms - Plants
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Observing and Drawing Plants and Flowers
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Exercises in Capturing the Complexity of Organic Plant Forms
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Gustav Klimt (1862-1918), Symbolism, Austria, "The Kiss"
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Week 14: Gesture Drawing
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Introduction to Gesture Drawing
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Exercises for Capturing Movement and Form Using Gestures
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Henri Rousseau (1844-1910), Naïve Art, France, "The Repast of the Lion"
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Week 15: Figure Drawing - Introduction
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Basics of Human Anatomy and Proportion
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Drawing Simple Figures in Various Poses
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Gesture Drawing Exercises for the Human Figure
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Auguste Rodin (1840-1917), Sculpture/Impressionism, France, "The Thinker"
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Week 16: Figure Drawing - Torso
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Understanding the Structure of the Torso
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Exercises for Drawing Skeletal and Muscular Structures of the Torso
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Edgar Degas (1834-1917), Impressionism, France, "The Dance Class"
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Week 17: Figure Drawing - Arms
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Detailed Study of the Arms
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Exercises in Rendering Realistic Arms
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Egon Schiele (1890-1918), Expressionism, Austria, "Self-Portrait with Physalis"
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Week 18: Figure Drawing - Legs
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Detailed Study of the Legs
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Exercises in Rendering Realistic Legs
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Pablo Picasso (1881-1973), Cubism, Spain, "Guernica"
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Week 19: Figure Drawing - Hands
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Detailed Study of the Hands
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Exercises in Rendering Realistic Hands
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Georges Braque (1882-1963), Cubism, France, "Violin and Candlestick"
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Week 20: Figure Drawing - Feet
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Detailed Study of the Feet
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Exercises in Rendering Realistic Feet
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Amedeo Modigliani (1884-1920), Modernism, Italy, "Portrait of Jeanne Hébuterne"
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Week 21: Figure Drawing - Light and Shadow
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Adding Light and Shadow to Figure Drawings
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Techniques for Creating Realistic Skin Textures
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Exercises in Shading and Rendering
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Salvador Dalí (1904-1989), Surrealism, Spain, "The Persistence of Memory"
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Week 22: Portrait Drawing - Introduction
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Basic Anatomy of the Human Head
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Drawing Facial Features in Proportion
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Exercises in Drawing Simple Portraits
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Frida Kahlo (1907-1954), Surrealism, Mexico, "The Two Fridas"
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Week 23: Portrait Drawing - Eyes
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Detailed Study of the Eyes
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Capturing Expression and Detail When Drawing the Eyes
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Exercises in Rendering Realistic Eyes
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Norman Rockwell (1894-1978), Realism/Illustration, USA, "Girl With Black Eye"
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Week 24: Portrait Drawing - Nose
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Detailed Study of the Nose
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Techniques for Capturing Different Angles and Shapes of the Nose
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Exercises in Rendering Realistic Noses
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Edward Hopper (1882-1967), Realism, USA, "Nighthawks"
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Week 25: Portrait Drawing - Mouth
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Detailed Study of the Mouth
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Techniques for capturing expressions and details
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Exercises in rendering realistic mouths
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Andrew Wyeth (1917-2009), Realism, USA, "Christina's World"
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Week 26: Portrait Drawing - Ears
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Detailed Study of the Ears
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Techniques for Different Angles and Shapes of the Ears
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Exercises in rendering realistic ears
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Lucian Freud (1922-2011), Realism, UK, "Reflection (self-portrait)"
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Week 27: Portrait Drawing - Hair
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Techniques for Drawing Realistic Hair
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Exercises in Different Hair Textures and Styles
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Frank Frazetta (1928-2010), Illustration, USA, "Death Dealer"
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Week 28: Portrait Drawing - Light and Shadow
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Adding Light and Shadow to Portraits
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Techniques for Realistic Skin Textures
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Exercises in Creating Depth and Dimension
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M.C. Escher (1898-1972), Graphic Art/Illustration, Netherlands, "Relativity"
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Week 29: Review and Refinement
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Reviewing Key Concepts and Techniques Learned from All of the Base Concepts
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Refining and Improving Previous Drawings from Previous Lessons
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Selecting and Improving 3 Drawings from Previous Lessons
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John Singer Sargent (1856-1925), Realism, USA, "Portrait of Elizabeth Winthrop Chanler"
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Week 30: Final Project - Planning and Preparation
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Self-Portrait - Research and Sketching (Week 1)
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Richard Estes (1932-), Photorealism, USA, "Telephone Booths"
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Week 31: Final Project - Execution
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Self-Portrait - Developing the Drawing
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Roberto Ferri (1978-), Contemporary Figurative, Italy, "Narcissus"
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Week 32: Final Project - Presentation and Critique
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Self-Portrait - Final Presentation
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Guillermo Lorca (1984-), Contemporary Surrealism, Chile, "The Hunting"
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Meet your instructor
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Meet your instructor ✳
Danny
Danny is an artist, musician, and owner of The Copper Wolf Tattoo Studio & Art Gallery in Tumwater, WA. Danny graduated Summa Cum Laude from the Rocky Mountain Academy of Art & Design with a Bachelor of Fine Arts degree in illustration. His art is inspired by the human figure, music, and the impermanence of all things. He enjoys exploring a variety of mediums, including charcoal, oil, and acrylic paint.
Course FAQ
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It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.
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It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.
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It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.